Born in Cuenca on April 9, 1946. Shortly after moving to Madrid, where he lives and conducts its studies. Has knowledge of several languages: French, English, Russian and Italian. Within the family there and been writers, which influences him to write his own poems, the latter being a prelude to some of his paintings. At seventeen interview with Senator Edward Kennedy. Is a constant restless traveler. From an early age he began his travels in Europe and Asia: Italy, Portugal, England, France, Belgium, Netherlands, USSR, Nepal, India, Thailand and other countries. They called and met with their colleagues to exchange ideas of painting. Reviews of his work by German, French, Vietnamese, tend to converge in some aspects with the Spanish. As every artist is often invited to exhibitions inside and outside the country. In 1980 was part of the Spanish delegation, along with scientists, writers, painters and other artists, the Republic of Uzbekistan in Central Asia, the Spanish were not a matter of cultural and official since the days of Clavijo. Years later, he was invited to the Republic of Lithuania, where he is greeted with affection and indulgence. Its exhibitions, always individual, that contain esotericism surrounding the artist. EXPRESSIONS TO A PAINTER comes a painter between polychrome conceptions of being and existence: Blue, green and red, are among others, some of her color between effervescence and boiling. Are the nature and content of human communication and understanding of understanding. And in his paintings I see and contemplate the human suction poured into the esoteric and irremediable, yet I see an equanimity of man by man living in enjoyment and happiness. There comes a painter with a compelling illusion, a dream, anxiety, and above all existential paraphrase. And in my observation dual contemplate him with the innocence of a child and the pallor of an old hope. There is, in Ferrara, a strong passion in creating landscape, where the color and how we integrate with the fun and fantasy, where we created a cosmos of his fiction and reality. Because under a capricious optical dimetría we crave the physical and metaphysical. Porge penetrate somewhat skeptical at first, then emotionally familiar with his work. If we share their enthusiasm and concern, we get an enormous pleasure of ideas. Because matter and spirit are dumped in the Artist dilection who voluntarily surrender to the song of nature and man without restraint. Thus, his paintings can we produce excitement and serenity, noise and quiet. But defining a painter, it's like any artist, reduce, simplify, shut him up. For this reason I have not opened a definition, let alone a paradigm. Are some expressions that can be shared or rejected. The viewer is free to look and express your opinion to cast their unconditional objective opinion. "Avant-garde painting, surreal, naive ...? I think there is a particular school, not a final path, although certain trends may arise impressionist, expressionist, or space. These findings, may be simple subtleties that will be seen in another reality. The merger between abstraction and figuration are sometimes. In his compositions in blue, looks like the inert juxtaposed, and living, like shedding an insatiable thirst. They are "Fantasy" and "Transparency in blue," a displays of imagination, as in "Tribute of Light", we are subjected to an unstoppable passion for life. And the obsession of life, which enters its axis plausibly excited. And without any abstraction conceived the roof of all, or "Request polyglot", where the speed brake and come to the sensitivity of the strong to the weak, like imperative need, as a natural law to whom no one can steal. For we are offering with their "earthquake Grito," or "Lavas capricious" as an apology to our planet. "Nature in silence" or "beach centrifugal" collide with our mind by affirming that force. "Symphony of Luna" allows us to comfort us with the awakening without barriers, "Find" see the flash exhilarating. But before the Alito does not escape their despair "Panic and Life." There is in this artist, all pathos substantial reason devouring fiery, a incorformismo for iniquity, conformism for justice without limits, as if to say we only have one life, we encourage, but free, without killing. In this, my personal view, may have fallen into the typical topic of utopia. But they were also other artists such as Velazquez, El Greco, Bosch, Titian, Da Vinci, Rublev, Delacroix, Goya, Van Gogh, Picasso, Juan Gris, Miró, Genoese, Saura ... All I infused a vibrant emotion. It is "Ferro" stage name of the painter, who with his exposure of bitterness and sweetness laden, childhood and old age, does impress. A painter who could call home, the size of his paintings, as in all prevailing similar magnitudes. Perhaps the painter will be easier and do his work. Or do we approach the economic area, with its proportionality?. The answer you will find you. All my words have been interpreted. The first painter who comes to you with their real or imaginary landscapes, going with the nakedness of human warmth, with the brotherhood of peoples, because it's friendship is not a decorative symbol, is something that practices and advocates. It's not about the commercial sale. Ranging from the word, to the bread and wine. As the paint will be to be, Sun Moon. Where the brush strokes of man silently noise, flying birds, the dry rock, the agony of the fish ... And where painting, painting is to move to live at the dawn of existence. Contact: fam_ferra@mixmail.com / / PO Box 9229, 28080 Madrid (Spain)